Sarah Sover is a publishing sibling and the author of Fairy Godmurder, a noir fantasy. Even if we weren’t with the same publisher (Falstaff Books) though, I’d be all in for this kind of story, even if she did misspell faerie.
Some ideas stem from a wayward conversation, some from a turn of phrase, some from a life experience, etc. Fairy Godmurder originated from a single scene that popped into my head fully formed like some kind of silent film.
You know how there’s a kind of magic you can feel in certain places? I always felt that way about cobblestone streets. It’s as if magic oozes out from between the stones, well-worn from the feet and wheels and hooves that have travelled over them. I’ve heard that a house resonates with the energy of those who occupied it, and I think the same goes for roads and paths.
The scene that played in my head was of rainwater gathering in those crevices between cobblestones before a pair of combat boots breaks the spell by stomping through the puddles. The woman wearing the boots is in a suit, a pencil skirt and button-up blouse, and she’s got a wide-brimmed hat keeping the rain from her eyes. She’s young. And angry.
She splashes through the puddles to where a bunch of important-looking men are milling around. She takes over, ordering them to step aside. Then she stoops over a body splayed out on the cobblestone street, blood mixing with the rainwater reflecting the streetlights above.
From that scene lasting only a few frames came the idea for a noir fantasy centered around a pissed off fairy godmother hunting the killer of her first princess. The body became a brownie, and the woman became Gwen, a fairy with empathic magic and motivated by a need for vengeance. She’s a magical creature, but the horrors in her life and the decisions she’s made stunt her magic, which is ironic since her magic is the key to cracking the case. The boots breaking the spell of rainwater on cobblestone are, in a way, symbolic of Gwen’s struggle to forgive herself and move forward.
But Fairy Godmurder isn’t all angst. It’s also got touches of my trademark off-kilter humor strewn throughout. I adore playing with tropes, subverting expectations, and combining and contrasting unlikely elements when I tell stories. I think it’s something about the way my ADHD brain works, connecting things in strange ways. And, like all my books, it’s got a cast of characters I’d love to grab a beer with.
Fairy Godmurder the first in my Fractured Fae series, with Faed to Black releasing next year, and I’m having a blast digging deeper into some of the dark forces at work in Fairy Godmurder while adding in some truly self-indulgent elements along the way. After all, what’s the point of writing a book if it doesn’t satisfy some part of you? The Fractured Fae series is my unapologetic take on the magical noir genre, and it all started with that single scene. It’s not so silent now.
You can find Sarah at her website, which also tells you how to find her on all the usual places. I’d also recommend her YouTube channel here, where she competed with another author for pre-order sales and shows why faeries beat pirates.
I love this concept and I can’t wait to read it! There’s nothing like an idea that comes to you with just one scene and then the fun of spinning that out into a full-blown story. Those are my favorite kind!
Thank you! Yes! I still can’t believe that the one scene spawned an entire series. It was just so visceral in my head, I had to run with it. That’s how most of my short stories were conceived of too!